25th Annual Mezza Motors® Postmodern Village Conference (2018)

By T.S. DeHaviland

W.H. Wye-WaiKorva ColdMan: Frigidity, Relationships, and the Sexual Side-Effects of NPR, a Journal of Confessional Listening
by W.H. Wye-Wai

As academics, we have to admit to being big public radio fans, and we try to choose mates with similar, um, proclivities. But, all things considered, Robert Siegel is no Barry White, and there’s a high degree of childlessness and small families among the NPR set. Wye-Wai’s confessional style, however, caused few scandals: there’s really nothing sexy about not doing it.

Stanzel HeggsBarney Fife, First-Person: Point-of-View, Personification, and the Re-Evaluation of Don Knotts
by Stanzel Heggs

Hard on the heels of Heggs’ feature film Being Barney Fife, this paper glows with the ethereal light that only comes with recognition of the Roshomon-esque structure of The Ghost and Mr. Chicken: whose hauntings are they, anyway? he asks. Delivered in his usual mix of hubris and utter disarray, Heggs’ presentation implicates us all.

Val Ossie-RapturBarney, Fife and Drum: Mayberry as Revolutionary Dinosaur Love-Narrative, a Declaration
by Val Ossie-Raptur

We’re still not sure we understand what this presentation was all about, but it sure was fun, since there’s something about a hometown band. And, you know, big, purple hugs.

Joyce FrerePrivates of Penzance: Sexuality, Suggestion, and Silences, Elisions of Significance on the Musical Stage
by Joyce Frere

Whoever said that there’s nothing sexy about not doing it never met Frere, whose scintillating analysis shows what gives rise between the notes.

H. Pap BrownLittle, Brown, Sambo: Publishing, Principles, and the Promulgation of Racism, a Policy Recommendation
by H. Pap Brown

Brown’s #BlackBooksMatter movement has done much to create embarrassment among major publishers, but it has yet to see real progress at the print-house. This presentation brought us up to speed on current plans and suggested permanent redress, all while featuring Brown’s bitterest form of satire.

Vere T. Goh and L. Dee VanitchesNorman Mailer Bates: Counter-Cultural Currents and the Rise of Psychopathology, a Horrorshow in Three Ax
by Vere T. Goh and L. Dee Vanitches

Goh and Vanitches make a convincing, yet terrifying case, that the counterculture was, in its own liberatory way, an actual horrorshow. It’s not true that we agree merely because of the threat of dismemberment.

Jay Gilles-BlandPeter Tom Wolfe: the New Journalism and the (re)Centering of “Centerfold,” a Sing-Along
by Jay Gilles-Bland

Catchy, immersive, and engaging, Gilles-Bland somehow made us feel better about what is really just objectification.

Norm ChompskyLingua Franco-American: Cookouts and Condiments as Common Language in American Culture, a Brazing
by Norm Chompsky

Smartly scheduled right about lunchtime, Chompsky’s presentation almost convinced us that mustard comprises a major component of universal grammar. The “grammar crackers” were a delicious component of post-paper-presentation s’mores, at any rate.

Presentations, Part 4